About Me

My photo
I am a studio artist and textile designer. My work swirls around among art, design, and the joy of making things. I founded LFN Textiles Artists Ribbons in 2002, and have been designing these fairly wonderful ribbons for 8 years now. They are distributed for the wholesale market exclusively by Renaissance Ribbons, and are available at retail on my website, www.lfntextiles.com, and nationwide through fine fabric stores, gift shops. My tapestries are available through a number of galleries across the country as well. See the links section for contact information.
Showing posts with label Renaissance Ribbons. Show all posts
Showing posts with label Renaissance Ribbons. Show all posts

Monday, November 11, 2013

Houston International Quilt Market 2013



A week ago I was in Houston, Texas, finishing up 3 days of introducing my new collection of quilting weight fabrics, Lush Harvest, with Troy Corporation’s Riverwoods International brand.    A year ago I went down to the legendary trade show to spend time with Renaissance Ribbons, who manufacture and distribute my LFN Textiles Artist’s Ribbons line, and strolled around shopping for someone who could produce quilt weight fabrics with my designs.  Dorothy Troy stepped up to the job and was delighted to take on the new vegetable designs and text-based towels I had been working on, and now here they are!
That isn’t the real story here, though.  In order to gear up for this new market I have had to take a steep learning curve.  Being a textile and ribbon designer is not the same thing as being a designer of fabrics intended to be cut up and made into pieced items!  Some crossover is there, of course, but there is always the context of how the fabric to be used to be grappled with.  So instead of waiting demurely in my booth to speak with potential new customers, I kept venturing out to try to get a feel of what goes on here.
I took away a fantastic impression of intensive activity.  What a complex network of creativity goes into this business!  You have the people like me, who design repeat pattern.  You have the fabric companies who get that fabric manufactured and distributed to the retail shops (who come from all over the WORLD to buy).  You have the professional pattern designers who delight in contriving new ways to cut up and piece these various fabrics into sometimes traditional, sometimes modern, compositions.  You have the publishers, selling books and patterns to showcase the work of the pattern makers.  And you have to have very deep pockets and a genius for display to catch anyone’s eye in this hugely kaleidoscopic arena.
Herein I will simply post photos of some of the marvels I saw, starting with my own humble first effort.

Aardvark quilt patterns

Andover Fabrics

Blue Underground, quilt patterns and fabric line for Troy

Kaffe Fassett art quilt

Kaffe Fassett art quilt

Kaffe Fassett for Westminster

Kaffe Fassett for Westminster

Kaffe Fassett


Modern Quilt Studio patterns and books

Aardvark quilt patterns

Weeks Dye Works, hand dyed fibers & fabrics


Aardvark Quilt Patterns



Andover Fabrics

Add caption

Starry Night Hollow for Troy







Weeks Dye Works hand dyed threads


Monday, October 21, 2013

All Busy Gals Need a Good Apron

I have been wildly busy in the last 6 weeks doing all manner of short trips and miscellaneous, but not insignificant, studio projects.  Last weekend I went up to Chicago to the Troy Fabrics Fabriganza sale at their warehouse, to introduce my new Lush Harvest quilting fabric line to their loyal customers.  This week we are taking it on the road to the Houston International Quilt Market, and you should be able to find them at your local quilting shop not long afterward.

 

Last week was a flurry of sample making: my fabrics are mostly vegetable designs, and people tend not to want to use vegetable motifs on bedding, so I felt I needed to make some items that were for the kitchen using the new fabrics, and the coordinating new LFN ribbons from Renaissance Ribbons.


So here is a quickie set of snaps of yours truly modeling the aprons.  Please ignore the bad hair!




Thursday, April 12, 2012

a cute chair pillow by Shelly Tribbey


Renaissance Ribbons sent me these photos yesterday of a darling pillow made by needlework designer Shelly Tribbey, using my Beidermeier Chairs ribbon and her fabulous needlepointed chair insert.  Thanks so much for sharing these, Shelly!



Wednesday, August 17, 2011

Ribbon crazy quilt

Today I was sent a link to a delightful blog by Allison Aller, Allie's in Stitches, by my partner ribbon company, Renaissance Ribbons.  They commissioned Allie to make a crazy quilt using a variety of their ribbons and I spotted a great number of my own, along with their Kaffe Fassett ribbons and several other RR exclusives.  I wrote to Allie and asked her permission to link to her blog and use her photos, and she wrote a charming acceptance which I just had to quote here:

"Hi Laura!
How that great that you found this....
I've been a fan and user of your designs for years.  When I walked by RR's booth at Quilt Market I was stopped in my tracks...there were my beloved ribbons!  So I contacted Edith and begged her to let me use some of them in a quilt for her.  We settled on an orange/pink scheme, and I was in heaven working on it.
So yes indeed, you may link to this and use whatever photos you like.  I am attaching a pic of the quilt after I added a few more touches, though.  Take your pick!
And keep up your great work; you make many, many crazy quilters very happy.
My best,
Allie

p.s. I loved your ribbon dress... ;-)"
Oh gee!  so flattering.  You know, often when I pick up the phone and identify myself to someone calling about something on my website, I get this surprised and happy reaction that I answer my own phone.  "You mean this is THE Laura?"  Folks, this is a tiny world here.  I am not a corporation or even really a company, it is just me!  And Renaissance is around half a dozen lovely and knowable people too.  These connections between creative people are so meaningful and inspiring.  I am always so delighted to know that out in that great big world there, someone is familiar with -- and likes! and uses! -- something I have designed. 

And I like what Allie has done.  Here are some teaser photos, to see the whole project go to her blog, Allie's in Stitches
ribbons, coutesy Allison Aller

tutorial shot, courtesy Allison Aller
finished quilt, Renaissance 9 Patch by Allison Aller

Thursday, August 4, 2011

How to Make the Ribbon Dress

I am not very adept at writing tutorials but if you will bear with me, I will show you a bit of how I constructed my ribbon dress in yesterday's post. A real apology: I have been between cameras, and these photos were taken with my not-very-smart phone.

I used the basic party dress pattern from The Party Dress Book by Mary Adams. I traced the bodice pattern pieces onto fusible interfacing, and placed each piece fusible side up on my ironing board (shown here covered with one of my old Crate & Barrel tea towels!).

Then I cut the ribbons for this piece carefully to a length about 1" wider than the widest part of this bodice, adding extra where necessary for complete whole flower motifs. This is where it gets tricky: I chose this ribbon becasue each repeat was square: i.e., each flower was as tall as it was wide, so when it is crossed perpendicular with a woven ribbon it will line up the pattern almost perfectly. I chose 3 colorways of the same ribbon (Lacy Flowers) as they all coordinated well, but you could also weave solid color ribbons in one direction and patterned ribbons in the other. I pinned each ribbon in place at its edge, straight into the ironing board.


By lifting up every other ribbon, I laid down the first row of weft ribbon. I pushed it hard up against the pins and made sure the flower motifs lined up.






I continued to weave in ribbon strips until the whole piece was woven, then I carefully pressed it with my iron, using the setting for polyester. You have to hold the iron in place in eavery spot for a few seconds so the fusible interfacing will bond to the ribbon.


Then I carefully turned it over and ironed it again to make sure it was fused, and then cut around the pattern shape. I took it over to the sewing machine and ran a basting stitch around the edge to hold the ribbons in place further. I repeated this process for each bodice section, and then sewed it together at the seams and clipped them and pressed them open.



The skirt looked easier to do: it was a full circle skirt, and I had an idea of radiating ribbon stripes stitched down to a fabric ground. I chose nylon netting as my under fabric, but that was a MISTAKE, I should have used something firmly woven and lightweight. The netting stretched out of shape and caused the ribbons to buckle. I lost count of the number of yards of ribbon I sewed down. I sewed most of them down the entire length, so I worked in groups, first laying out the reds like spokes of a wheel, then sewing, then adding color or pattern between all around & sewing down, etc. I probably would have done better to get more mathematical and stitch more pieces cut from the middle down and attach them first, then ending up with the ribbons running all the way down from the waist. It would have been less bulky at the top. But I have the temperament to think out sewing projects in my head, do minimal calculations, and then make it up as I go along!




I then constructed the dress, putting in a back zipper, cutting the hem evenly, and making a big frilly net petticoat to hold the skirt out.  Around the hem, to help it to stand out more fully, I sewwed a ribbon edging.   This is a cool thing about polyester: as this is a curved edge there is of course a differential in the lengths of the inner & outer curves.  So you press the top edge of the ribbon (before sewing it down) to make it shrink evenly along its lengthe, then sew the longer bottom edge in place aroudn the skirt edge, and then sew the upper edge in place.  You might still have to ease it a bit but the shrink-shaping works very well.


A beautiful friend modeled the dress for me but she won't let me show her face or her name, so thank you, Anonymous Lady! Soon we will have more photos of the dress to post online.

Thanks too to Renaissance Ribbons for donating the grosgrain and satin ribbons used in this project.